Archive for the ‘Dominic’s Blog’ Category

Weekly Whisky Auction Watch by Andy Simpson

Weekly Whisky Auction Watch

Andy Simpson

26.02.2013

 

 

This week saw Scotch Whisky Auctions launch another marathon of a sale. On a slightly different theme, I’m going to take a look at the whisky for sale and give my thoughts as to its ‘collectability’ (is that actually a word?).

 

I guess I wouldn’t be being unfair if I said Scotch Whisky Auctions are known for their volume of collectable bottles at the lower end of the value scale. Before I get shot down by a vitriolic crowd of SWA fans (of which I am also one) I want to say I’m just quoting fact here. There are always a huge number of Arbeg Alligator, Galileo, Rollercoaster etc for sale. So it’s the current auction which interests me, possibly more so than ever.

 

The number of exceptional bottles appears to be creeping up rather rapidly. So putting aside the eclectic selection of bell shaped door stoppers, here’s my cream of the crop for the current auction.

 

Clearly, the BIG Ardbeg is the 1965 40 year old. Last seen selling for £2,800 almost 12 months ago in the UK, this should perform admirably. If you’re an Ardbeg collector, this is an absolute must have bottle.

 

Back to the whole ‘1st releases matter’ theory, there are Balvenie first releases of both Rose and Tun 1401. Tun 1401 has been selling for way in excess of £1,000 recently so expect similar numbers. Balvenie Rose 1st release hasn’t seen the light of auction since December last year so expect fireworks with that one.

 

The rest of the picks from my perspective are an exceptional collection of aged rarities. A perfect example of Glen Flagler is sure to perform well. The Glen Mhor 10 year old is another old gem.

 

There’s a fantastic old Glendronach, bottled under license by Gordon & MacPhail (who also bottled under license for the mighty Macallan). “A Perfect Self Whisky”, reads the label…. I couldn’t agree more!

 

Then there’s the Glenury Royal 50 year old. I suspect whatever it sells for, this will be a bargain compared to other 50 year olds on the market right now.

 

One of the youngest whiskies at this auction excites me the most (in this day and age, would anyone dare say it’s just ‘5 years old’ or would it be another ‘no age statement bottling’?). The Clynelish 5 year old is just a stunning example of one of this Highland hero’s earliest bottlings.

 

Other exceptional rarities include a Mortlach 28 year old, some very rare Miltonduff bottles, two Port Ellen Feis Ile 2008 bottles and one of the legendary Port Ellen Maltings.

 

At the moment, values do look to be buoyant so it’ll be interesting to see where many of these rarities finish once the electronic hammer falls. As usual, there’ll be a full report here.

 

Until next week.

 

Slainte,

 

Andy.

Competition Time – Win a trip to the worlds only Malt Whisky Trail…Now Live

We are teaming up with our friends at Visit Scotland to offer a lucky W Club member the chance to win a Scottish break to the World’s only malt whisky trail.

Escape to the captivating region of Moray Speyside and admire charming fishing villages which characterise the 50-mile-long Moray Coastal Trail, meeting captivating wildlife as you go. And, it’s not just the stunning scenery and wild residents which make this area an unmissable part of Scotland; it’s also home to the only Malt Whisky Trail in the world!

Follow a Trail covering more than half of Scotland’s malt whisky distilleries in one area, each with its own invitation to see, smell, taste and absorb the magic of whisky. It’s no surprise that some of the country’s finest amber nectar is proudly produced in Moray Speyside.

 

You and a companion are invited to relax in a four-poster suite for two nights at the luxury 4-star Knockomie Hotel on a bed & breakfast basis, including a scrumptious meal on one evening. Situated just four miles from the dramatic Moray Coast, it’s recognised as one of the Scottish Highland’s premier country house hotels.

Surprise your senses as you explore the world’s only Malt Whisky Trail! Visit Strathisla, the oldest working distillery in the Highlands and spiritual home to one of the most famous whisky brands in the world – Chivas Regal. Then, journey to BenRiach for a private connoisseur’s tour with the distillery manager and goodybag to take away.

What’s more, with up to £300 towards spending and travel money, you are free to discover the wealth of things to see and do in Moray Speyside.

To enter the competition simply click here and follow the instructions. Good luck!

Terms and conditions apply

Balvenie First Fill 12 Year Old Limited Edition Now Available To Order

The Balvenie First Fill 12 year old is the first in a series of “limited editions” – Each bottle is one of no more than 300 drawn from a single cask and each bottle is hand-numbered and carries the number of the cask in which it matured. Bottled at a higher strength of 47.8% ABV, this unique spirit spends 12 years in first-fill Bourbon barrels before being filled into no more than 300 hand-numbered bottles per cask.

Nose: Bounty of sweet oak and spice

Taste: Rich and complex with deep vanilla oakiness. Honey notes will be overlaid with sweet fruits and subtle spices.

Finish: Lingering sweetness

Bottled at a higher strength of 47.8% ABV, this unique spirit spends 12 years in first-fill Bourbon barrels before being filled into no more than 300 hand-numbered bottles per cask.

Stock of this stunning limited release will be arriving on  Tuesday 5th of March. We will then dispatch all orders straight away.

Simply click here to buy

 

London Piccadilly Host Legendary Suntory Whisky Tasting

Tatsuya Minagawa The Suntory brand ambassador hosted one of the most dramatic whisky tasting events on  Wednesday the 20th of February at the London Piccadilly Whisky Shop

 

 

The events have been included a walkthrough of the suntory range where our customers got the chance to taste the below gems…

  • Yamazaki 12yo,
  • Yamazaki 18yo,
  • Hakushu 12yo,
  • Hibiki 17yo,
  • Hibiki 21yo
  • Hibiki 30yo

For more fabulous tastings please keep checking the W Club website.

 

Golden Shots By Dominic Roskrow

Golden shots

If you’re a fan of whisky you’ll know that there are all sorts of writers and bloggers getting excited about new, rare and incredibly expensive releases, most of which we can’t afford and will never taste.

 

It’s one of whiskies greatest ironies that a product which takes so long to make and which should be savoured slowly has become such a disposable commodity for whisky writers and bloggers.

 

So Golden Shots is all about going back to some of the whiskies which first got us excited about whisky, and which we may have forgotten about. Whiskies which warrant rediscovery and don’t require a mortgage to buy.

 

This week’s selection is a whisky that  seems to have stayed under many people’s radar, suffered something of an identity crisis and when it has appeared in public, hasn’t always presented the public with its best face.

 

Today, though, the standard expression is a cracker. The Whisky is Ledaig, it’s pronounced Led-chig, and it’s made at the Tobermory Distiilery on the Isle of Mull.

 

 

Ledaig is the Dannii Minogue of whisky, overshadowed as it is by a more famous sibling and for a long time either not known at all or regarded with very little respect. But like Dannii this malt has had a complete makeover, has beefed up its image, and is carving out a reputation that is all its own.

 

Ledaig is a great whisky to use at a tasting evening these days, because not only does it now have a strong peaty and enjoyable taste, but it is also a one stop talking shop, the perfect malt to illustrate a number of lesser known facts about Scotch whisky.

 

For instance, if you’ve never heard of it, that’s because until relatively recently the vast majority of it went to service the blending sector. More than 90 per cent of Scotch whisky sold is blended whisky and there are many distilleries producing malts that are barely known in their own right. Tobermory is an unpeated malt but its owners need a stock of peated whisky and Ledaig is it. Incredibly it accounts for 50 per cent of the distillery’s output.

 

These days Ledaig tastes like the sort of phenolic smoky whisky you’d expect to find on neighbouring West coast island Islay, home of the peaty heavyweights such as Ardbeg, Lagavulin and Laphroaig. And yet for all its reputation, Islay produces a substantial amount of unpeated whisky, too. In fact with the relatively large output at Caol Ila i think I’m right in saying that there is probably more unpeated malt produced on Islay than peated. Amazing.

 

Then we can talk about how malts from the same distillery and of the same age can actually be very different products at different times. Malt whisky is organic and varies from cask to cask and batch to batch, so differences occur anyway. It’s the job of the distillery to mix different casks together so that each batch is more or less the same each time.

 

But sometimes the variances are very considerable, and deliberate. One great 21 year old whisky which won international acclaim and awards as a 47.5% malt was relaunched by its owners soon after as a 40% whisky – and was a totally different, and vastly inferior, drink. Such was the outcry on that occasion that the move has been reversed again (as happened very recently with Maker’s Mark) but the fact remains that the brand owners were doing nothing illegal. The whisky bore the correct distillery name and age on it, and that’s enough.

 

In the case of Ledaig the opposite has happened. A fairly bland 40% poor man’s Islay whisky is now a strapping 46.3% power house of a malt and all the better for it.

 

Why the change? After all, stronger whisky means less whisky and a financial burden to the company

 

Well that brings us to the next point of interest.

 

When naturally produced whisky is chilled it goes cloudy. This is due to the fact that fats and congeners in the liquid solidify at lower temperatures. It’s perfectly natural but it doesn’t look great so it has long been the practice to chill whisky and filter out the solids so that your bottle of Scotch stays clear.

 

A few years back, though, someone questioned whether the fats and congeners that were removed also contributed positively to the taste of the whisky. As customers have learned more, it was suggested, wouldn’t it be better to let the whisky go cloudy, explain it to the customer, and give them the full Monty taste wise?

 

So now that’s what a lot of whisky makers do. But Tobermory’s owners, Burn Stewart, came up with an alternative. The clouding process doesn’t happen in stronger alcohols, so by taking the whisky strength up from 40% to above 46% and the problem’s solved. So that was what the company did – not just to Tobermory and Ledaig, but to Bunnahabhain and Deanston too.

 

And that brings us to the main reason Ledaig’s a Golden Shot these days. The combination of more alcohol and more flavour means that this is the greatest makeover since David Bowie ditched Major Tom and brought us Ziggy instead.

 

This is a loud, proud West Coast sweet peat treat, an iodine and barbecue bonfire delight that like the peated Juras of recent times, has caused the Ileachs to take note. The new flavour of the Tobermory 10 is worth checking out too.

 

Mull’s two whisky expressions are back in the game. and maybe, just maybe, the island will be noted for its whiskies – and not a children’s television series where the policeman goes by the name of PC Plum.

And The Winner Is….

 

Congratulations to Paul Smith of Glasgow who was our lucky W Club winner who will be visiting our friends in Japan and exploring the Yamazaki distillery.

Paul will fly to Tokyo as a guest of Suntory and  visit the distillery as a VIP guest for a tour and and a tasting. The four day tour will be packed with new experiences and great whiskies and we will report everything right here.

Stay tuned for more giveaways which the W Club will be offering each month. The next one is a cracker!

 

The Nottingham Whisky Shop Hosts Another Sell Out

 

Here in Nottingham we were lucky enough to have another visit from a whisky ambassador last week. This time it was Phil Huckle, who represents Pernod- Ricard’s whisky portfolio in the UK.

Pernod-Ricard, in the form of Chivas Brothers, are the country’s second biggest Scotch Whisky company; owning an impressive nineteen malt distilleries (although some are closed and others mothballed). Their flagship

brands are Ballantine’s and Chivas Regal and it is these that keep their single malts available. Once again, as I mentioned in my notes on the previous tasting with Colin from Diageo, this is a company whose international

success, particularly in Asia, is allowing them to provide more specialist products in the form of Single Malts. Where there is a distinct difference with Diageo is in the character of the malts from distilleries that they own, as I

hope this little cross-section illustrates. First stop was Orkney, and in a way you’d think that was odd, given the character of most of the whiskies from the islands of Scotland are a little robust for preceding drams from Speyside. Scapa, however, is unlike many of its island cousins, which is perhaps why it fits in snugly with the rest of Chivas Brothers’ range. If you’re expecting the heathery peat of its big neighbour at Highland Park you’ll be surprised, but Scapa translates as ‘boat’ and it is still very much an Orkney Islander. Its smooth, bourbon cask influenced, sweet elegance is complemented by a distinct briny note, showcasing its island origins.

 

Depth of character comes at least in part from the last remaining Lomond still – specifically installed to create a whisky more suited for the light Ballantine’s blends. It’s perhaps fitting that one part of the somewhat chequered past of this distillery details its rescue from fire by local sailors – you can only imagine what a thirst was worked up that night. Most of Chivas Bothers’ malt distilleries are on Speyside, and this one, the ‘hidden jewel,’ is one of them.

 

Longmorn, like Scapa, is another malt that isn’t that common, and another one that fits snugly into Chivas’ portfolio of light, fruity whiskies – and a key malt in a signature blend, in this case Chivas Regal, along with Strathisla. It’s mainly first-fill bourbon aged, giving it almond and spice notes but with a fuller body than the Scapa. It lead nicely on to the Chivas Regal 18, which Phil described as a ‘Speyside’ blend. In this Pernod- Ricard’s flagship blends are hugely different from Diageo’s Johnnie Walker, which wears its west-coast malts on its sleeve, they’re all about smooth, fruity sweetness and delicacy rather than power and smoke. With the continuous still allowing larger volume production Chivas Regal came to prominence as the phylloxera louse decimated Cognac’s vineyards in the late 19th century; it was they that were supplying Balmoral Castle with a luxury spirit to keep Queen Victoria’s royal court parties going. This success continued through the 20th century when the 25 year old blend became the first luxury scotch, and through association with Frank Sinatra, among others, Chivas Regal 12 gained a global reputation. Next up were two very different whiskies from Glenlivet in the 18 year old and the cask-strength ‘Nàdurra.’ Glenlivet was the first legal distillery on Speyside, opening a year after Robert Peel legalised distillation in 1823. George Smith, the founder, was something of a pioneer, and his light, floral, lantern-still distilled whisky was much copied, not just in terms of style, but in the name too; at one point there were 27 ‘Glenlivet’ distilleries, hence why it is now ‘The Glenlivet.’ Other distilleries were allowed to keep the name but only in a hyphenated form; even giants like Macallan once carried the suffix.

The Glenlivet 18 is roughly two-thirds bourbon and one-third sherry matured and while it keeps that light Speyside character the sherry casks add a layer of complexity. Expect spicy cloves, cooked apple and fruit cake making up a rich, luxurious whisky. The Nàdurra is a different proposition again. Translating as ‘natural’ it is bottled at cask-strength without chill-filtration and really shows off both its Glenlivet/Speyside fresh green apple character and its bourbon cask vanilla oak.

The final dram was once again from Speyside, but was a very different beast. Aberlour A’bunadh is a personal favourite whisky of mine, and this batch, number 42, certainly didn’t disappoint! It’s an attempt to re-create a Victorian

whisky that they found in the distillery while doing some building work. Bourbon casks weren’t available back then, and so this is 100% matured in Oloroso Sherry and bottled without chill-filtration at cask-strength. If you stay

away form Speyside, thinking the region’s single malts are a little shy and retiring then this would be the one to convince you otherwise – it’s big and fiery, with spicy symphonies rather than spicy notes, all backed up with soft,

juicy raisins and sultanas to cushion the blow. Once again it remains to thank Phil for making the trip to Nottingham and making another tasting another success. Thank you, and hope to see you again!

What I liked this week by Dominic Roskrow

 

Read all about it

This has been one of the busiest starts to the year I can remember, and here we are about to enter March already. Quite amazing. and already it’s turning outs to be a vintage year for whisky.

I spent much of the week reading through the new issue of Whiskeria, which finds its way in to our shops at the start of March. I honestly think it’s one of the best issues we have ever produced. And despite what you’re thinking, that’s not the way I normally talk. I am very critical off my own work and – I’ll let  you in to a little secret – when I read back my own work or magazines I’m normally underwhelmed and left a little empty and disappointed. Don’t know why, but there you have it.

But I’m bubbling with excitement about this issue. Why? Because it is genuinely unlike any whisky magazine you’ll have ever read, it includes unusual and exciting features, there are contributions from formula one drivers, international cricketing legends and rock musicians, and it’s packed with great whisky to suit any pocket. And there’s a great flow to it. Make sure you get a copy.

 

Whisky for all

There has been a marked increase in the number of tastings events I’m being offered to do – this week I went to a great event in a social club in deepest darkest Norfolk.

And it really was deepest, darkest…I had to walk a mile down an unlit back road, climbing in to a hedgerow every time a speeding car came hurtling by, and at one point I passed a field where four hand-held torches were dancing in the dark for no apparent reason.

The event, though, was great. It was a traditional male dominated audience (how diplomatic was I there?) but there was a stream of great questions and among the subjects we covered were the chill filtering process, cask strength whiskies and the relevance of soft and hard water in distillation and fermentation. If all that sounds highly boring, it really wasn’t. And I couldn’t help thinking as I travelled home what a long way we’ve come with this subject to have moved so far away from discussing the difference between Scotch and bourbon.

Though of course I’d happily talk about that, too.

 

 

It’s a Stormer!

I let you in to a secret earlier. Here’s a couple of totally non secrets for you to digest.

One, I really like whisky. Two, I really REALLY like Talisker. Indeed while my love for all things peated seems to have waned somewhat in an unrelenting onslaught of Balvenie and BenRiach tropical fruity loveliness, in my affections Talisker and particularly Talisker 18 has been as solid as the Cuillinn Mountains range which lie close to where the malt was born.

A new Talisker launch is by anyone’s standards a major industry event, so I’m beside myself at the thought of two new releases.

The first, Talisker Storm, has arrived, and is a rough, gutsy street-fighting malt that spits and seethes like storm waves on the rocky shores of Skye. There is clearly some young whisky in the mix, but the fuller peat and spice flavours make it not so much rich and fuller than other expressions but – weirdly – wetter and more intense. If the 10 year old is a dry metallic electric storm of a malt, this is the full British gale force west coaster, a soaked to the bone, hold on tight, baton down the hatches whisky.

It’s nearer to Talisker 57 North than any other expression, and finds itself in treacherous waters somewhere between its home on Skye and the peaty torrids of Islay.

Do I like it? I’d like to say not sure, send me more; but truth is, yes I do, a lot.

And next up is a port finish Talisker. How mad will that be? Indeed it could be the first Scotch to go head to head with the Aussies for blow to blow brutality.

I can’t wait and have booked a front seat already.

Exploring whisky with Dominic Roskrow

 

Exploring whisky with Dominic Roskrow

In our new series we’re taking a wide view of the world of whisky and looking at different aspects of it in some depth. This week we thought we’d look at how to enjoy whisky through taste and smell.

If you’re new to whisky you will find some easy to follow guidelines in the features section of The W Club.

 

 

A great deal has been written about the right way to taste and nose whisky. Let’s get one thing from the outset: there is no correct way to taste or nose whisky. Once you’ve got yourself a decent glass and a decent malt whisky to put in it, you should approach drinking it in whatever way that most makes you happy.

That said, whisky nosing and tasting becomes more fun and is considerably easier if a few ground rules are observed. Play with them as you see fit, however.

 

Glasses

The concept of the tumbler of whisky consumed by a roaring fire in a leather armchair under the head of a wall-mounted dead stag is as out-dated as it is clichéd. You can’t enjoy malt whisky properly if it’s served up in a tumbler, particularly if you live in a country where the standard measure barely covers the bottom of the glass.

We talk about nosing whisky because much of the subtlety and sophistication of a malt whisky is experienced through the nose, which can pick up on a far larger number of aromas than the tongue can pick up flavours.

So it’s important to have a glass that will allow you to smell the contents and that won’t happen with a tumbler.

The ideal malt whisky glass will have a bulbous bottom and a tapered neck, narrowing to the rim so that the aromas are concentrated in to a small area at the top. It may or may not have a stem. What it should have, though, is a base which allows the drinker to hold it without cupping the liquid itself.

There are dedicated malt whisky glasses on the market and they’re not expensive. But if you have nothing else, a red wine glass or a brandy glass is better than chunky square tumbler.

 

Water or no water?

Don’t let anyone tell you shouldn’t add water to malt whisky. This view is piffle and should be treated with contempt, not least because in most cases the malt in your glass has already been mixed with water to bring it down to bottling strength and if it hasn’t and has been bottled at cask strength, you’ll need to add water to bring it down to a tolerable level to drink it.

About four out of five whisky journalists add water to whisky to appreciate it, and blenders and whisky makers will nose whisky when it is diluted down to 20% ABV. There is a reason for this. Adding water to malt whisky is the equivalent to a spring shower on a rose garden: pleasant enough before, but far more fragrant afterwards.

Adding water to take malt under 40% isn’t for everyone.

There is no right or wrong, though, and the decision on water should be all yours.

Here are a few pointers to how to appreciate malt.

 

Prelude

Take notes. These are your personal record and are anything you want them to be. It doesn’t matter if you write a load of drivel as long as that drivel means something to you.

Write down the name of the malt you are tasting, its strength and whether you like it or not. If it reminds you of anything write that down too, no matter how simplistic or strange it might be.

Divide your tasting notes in to the following sections: Colour, nose, palate and finish.

 

Appraising

Before you nose or taste a whisky you can get some valuable clues as to what to expect from it just by appearance. Shake a sample of whisky in a bottle and it will form bubbles on its surface. These disappear again quite quickly. But a whisky with a strong alcoholic content will form small bubbles and they will remain longer. Standard strength whiskies as opposed to cask strength ones will form big bubbles and they will disappear quickly.

Once in the glass the liquid can be swilled up the side of the glass. Look carefully where the whisky has been. ‘Legs’ – small columns of liquid – will form and run back down the glass. Slow, thick legs indicate an older whisky.

The biggest clue, though, comes from the colour of the whisky – but it is a clue only. If the whisky has been matured in a bourbon cask the colour will be more golden lemon and straw-coloured. Sherry casks impart an amber-mahogany colour to whisky.

Deeper colours may indicate a greater age but you need to be careful here – relatively old whisky from a bourbon cask will be lighter than a much younger sherried whisky and an older cask that has been used for whisky making before will impart less colour than a first fill cask.

So it’s a clue only. It is worth noting the colour, though, as it will help you identify whiskies in the future.

 

Nosing

Whisky should be approached in the same way that you might approach an unfamiliar animal – slowly and with a great deal of respect. Swirl the whisky around in the glass and then smell it from a distance, gradually bringing it closer to your nose.

This is important because high strength whiskies will have an eye-watering nose prickle and your sense of smell will close down if there is too magic alcohol.

Try nosing the whisky with both nostrils at the same time and then one after the other – some people find that one of the three ways of nosing suits them better.

What you’re trying to do is identify any familiar smells in the whisky. Can you smell any fruit or berries, is it spicy or smoky, can you smell sherry or vanilla?

Three points here:

1. Don’t be bothered in the least if you can’t really identify anything particularly at first – it takes a while to get the hang of it.

2.  Whatever you identify is personal to you and there are no rights and wrongs in this process, so don’t feel intimidated if others seem to be much more accomplished at nosing and are identifying aromas that you just don’t get.

3: if you think you smell roast beef and Yorkshire pudding topped with English mustard then write it down and stick with it. As long as you recognise the smell again it’s a suitable descriptor for you.

Adding water often unlocks a whisky and releases its rainbow of aromas, so add a small amount of water if you want to. Take a small taste of the undiluted whisky before you do though.

 

Tasting

To taste whisky put a sizeable amount of it in the mouth and hold it there before swallowing (you can spit it out but that’s a bit like watching football highlights with the goals removed and unless you’re tasting a lot of whisky, spitting is not recommended).

From the taste you want to try and assess how it feels in the mouth (is it rich and mouth-filling or thin and winey, is it zesty or fizzy in any way)?; does it taste like a whisky and does it taste nice?; and does the taste linger in the mouth when you’ve swallowed it?

The first two points constitute the ‘palate’ and the third, the finish.

Again don’t get too hung up on this early on. After all, how do you know a car is fast or slow until you’ve travelled in a number of vehicles doing a range of different speeds? The more whiskies you try, the more reference points you’ll have and the easier it’ll be. And if that isn’t an incentive to keep tasting I don’t know what is.

There are several books that go in to the subject of nosing and tasting in much more depth, and some people will get immense pleasure out of learning the science of it all and taking it seriously.

But I don’t subscribe to that school of thought. Whisky is an organic, evolving, social drink that should be enjoyed. The fun of tasting whisky is just that; tasting it and finding a portfolio of malts that you like and can return to again and again. When you get down to it it’s as simple as that: do I like the taste of this whisky, and would I want to drink it again?

Read the first Exporing Whisky article right here

 

The W Club Tasting Panel meet The Glen Garioch 2002 [Whisky Shop Exclusive]

The Tasting Panel are back and this time reviewing a very special Glen Garioch that has been specially selected by one of our members. Here is a first look at some of the reviews…

The Whisky: Glen Garioch 2002 [Whisky Shop Exclusive]

The Glen Garioch Distillery is located in the historic town of Oldmeldrum, approximately 20 minutes from Aberdeen.

Established in 1797, Glen Garioch, (pronounced ‘Geery’) is Scotland’s most Easterly distillery.  Situated in the historic Valley of the Garioch, traditionally the finest barley growing area in all of Scotland.

For over 200 years Glen Garioch Distillery has been handcrafting a beautiful range of natural, non chill-filtered single malt whiskies.

It has some incredible history and produces some remarkable whisky – so to be able to choose a small single cask bottling was a real privilage – click here to see how the selection process happened.

What the Panel Said…

James Otter

Nose

This took a few minutes in the glass to open up but when it did you get rich dried fruits and liquorice. Also a hint of pear drops and furniture wax comes through (in a good way).

Palate

Wow! Flavours come from all angles with a lovely rich sweetness. Floral and honeyed with an undertone of rose turkish delight. Once the floral notes disipate out rolls the sticky toffee pudding rounding off a complex dram. I could see myself revisting this time and time again.

Finish

Medium to long coating the mouth and beginning with a slight heat. The floral character stays with you throughout and fades to a slightly bitter dark chocolate.

Whoever picked that cask did a cracking job.

Matthew Ellis

wow wow wow yes this is the one for me i love been a member of the tasting panel cant wait to get a few bottles of this got to get a few because one wont last long

nose: Very sweet you get honey toffee and vanilla

taste: Candy floss and loads honey very soft in taste with a bit of soft fruit in the back ground

finish:  Very mouth watering and warming

 

Jon Bryant

Another great Glen Garioch: earthy, sweet and desserty. We’d love a bottle of this!

Nose: Initial blast of fruit salad sweets (pink and yellow chewy sweets) and liquorice all-sorts. There is a slight chemical element to the nose before it is overtaken by green apple skins, damp bark chipping and rhubarb crumble and custard. Very earthy.

Palate: Boiled sweets, hot chilli heat and a huge dose of creme brûlée with a blowtorched caramelised crust. This whisky mellows over time to offer more vanilla notes of the brûlée which is lovely.

Finish: Long, hot and spicy

 

Tom Thomson

Nose: Initially quite prickly on the nose, so my first thought is that this may be quite strong ABV wise, there’s a fair bit of oak about this, a little sweet pine needles there too. This dram works your nose hard, it’s very subtle and there are no big strong flavours that jump out. Left in the glass for 10/15 minutes there’s caramelised bananas coming through along with some floral notes, like the mixed smells you get in the local florist and a touch of vanilla.

Palate: theres a bit of vanilla and a lot of wood influence, the caramelised bananas come back through along with the floral notes.

Finish: really long afterglow on this, a big punchy kick.

 

Kevin Tapp

Received the Glen Garioch last night – very nice – leaves one wanting to indulge further.

Colour – Pale straw-gold

Nose – light floral sweetness

Palate – develops slowly and then wham a full bodied fiery pink pepper hit followed by a grapey bitterness and finally a very long finish with milk chocolate.

With a really good mouthful there is a very pleasant oily texture with its own gentle sweetness.

Steve Prentice

Pale yellow in colour.

A light but interesting aroma, with just a touch of farmyardy/country smell about it.

The mouth feel has a medium body to it which is fairly hot and spicy at the fore of your mouth.

The farmyardy notes come through on to the palate, it’s slightly unusual, but in no way bad; it adds an interesting extra dimension.

The cask influence leads me to wonder if there’s some sort of wine cask thing going on here, however general consensus is probably not.

 

The finish is fairly fast to die, but a sweet woody taste lingers for a fair while longer

Peter Star:

Nose: Flowers, fresh grass and sweet tones:

Palate: More Sweetness, some honey and spices. This is incredible!!

Finish: Long, dry and smooth.

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